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Medical Museum Home Art That Heals Home Introduction Overview of the Exhibit Medico-Religious Identities Knowledge and Secrecy The Cross Talismans and Scrolls Images and Asceticism Christianity, Possession and Talismanic Art Gaze Visual Trances and Sacrificial works. Additional Sites Project Art
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Medical Museum
Art That Heals: The Image as Medicine in Ethiopia
Preparation and Use of Scrolls
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10. Three scrolls, eighteenth to
nineteenth century, parchment, 203 x 16.2 cm., and 189 x
15.3 cm. Collection: Musee National des Arts d'Afrique et
d'Oceanie, Paris. Gift of Jacques Mercier, Photo courtesy of
Guy Vivien
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A scroll is prepared for a person suffering from grave
and recurring troubles--for women, mainly problems of
maternity (sterility, miscarriages, children's death); for
men, pains attributed to curses.
Until quite recently, all Ethiopia's bound books were
handwritten on parchment. The use of this material for
scrolls is therefore commonplace. But not any parchment will
do: the horoscope may prescribe sacrificing either a sheep
or goat of a certain color (gazelle parchment is sometimes
prescribed, in which case there is no sacrifice, and a
little hair is left to testify to the skin's origin),
washing the patient with its blood and with the contents of
its stomach, and using the skin to make a scroll, the length
of which must equal the patient's height, so that he or she
will be protected from head to toe.
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Unlike its European counterpart, the Ethiopian process
for making parchment includes no chemical treatment. The
animal skin is simply shaved, scraped, and pumiced.
Parchment for a codex is made thinner than scroll parchment,
which has to be tough. The scroll comprises three bands of
parchment of equal width (about three inches for the
narrowest scrolls, about ten for the widest), sewn end to
end. The patient's height is measured by a string (often the
scroll is longer than the patient's body, as the cleric
brings the string over the head to the nape of the neck, the
better to protect the head), and the parchment is cut.
The cleric draws the scroll's images with a reed pen on
the parchment's inner side. There is usually an image at the
top, one in the middle, and one at the bottom. Then he
writes the prayers, inserting the recipient's baptismal name
in red ink. Finally he makes a cylindrical case for the
scroll, in red leather.
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11. King Solomon attended by two
demons. Protective scroll (detail), nineteenth century,
parchment, 22 x 7.7 cm. Collection: Musee National d'Art
d'Afrique et d'Oceanie, Paris. Gift of Jacques Mercier.
Photo courtesy of Guy Vivien
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Ethiopian people may carry their scrolls with them when
they feel threatened or ill. Some women won't carry a scroll
during menstruation, considered a period of impurity. But
other menstruating women keep their scrolls with them, to
protect them from excessive bleeding and from attack by
demons in search of blood. In the province of Tigray,
invalids unroll their scrolls and hang them opposite their
beds, where they can clearly see the images and text. When
cured, they put the scroll away in a cupboard. In Wello the
scroll is sealed in its case, and patients put it under
their pillows, or under the part of the body that hurts.
Even when they're better they carry the scroll with them
almost daily. On the last day of the year, some people bury
their scrolls for the night, so that it will keep its
effectiveness from year to year.
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12. Mrs. Tsahay of Aksum shows how
she prays before her scroll, which she had hung over her bed
three months earlier to cure an illness. Note how the scroll
hangs next to modern images (portraits of relatives). Photo
courtesy of Jacques Mercier, 1994
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Text courtesy of Mercier, Jacques. Art That
Heals: the Image as Medicine in Ethiopia. New York: Prestel Books
and The Museum For African Art, 1997.
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