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The Cultural Body The Painted BodyThe first evidence of body-painting to date is from about 4,000 years ago. Since that time, the skin has served as a living canvas for decoration. On the most fundamental level, body painting is what distinguishes humankind not only from the animal world but from those in other social and kinship groups. In many cultures, people who are unadorned are not considered quite human. For example, the Bafia people of the Cameroon feel that a man whose body is not decorated looks "like a pig or a chimpanzee." In a similar vein, the Caduveo Indians of South America say that "an unpainted body is a stupid body."
Tattooing and scarification are permanent forms of body painting which may identify the wearer as a member of a specific culture, society, or institution. Tattooing and scarification, practiced around the world, serve similar functions. The indelible designs may symbolize marriage, passage rites, clan identity, or social status. Body Paint
For centuries, body paint has been derived from materials found naturally in the environment, such as plants, rocks, minerals, and even insects. Fashionable women of the Elizabethan era decorated their faces and bodies with red and white substances. Powdered borax created a pale white face, neck and shoulders, while red ochre produced rosy cheeks. Fashionable men have also worn cosmetics, and it is known that Napoleon paid great attention to his toilette. In the late nineteenth century, a book on male etiquette published in the United States advised the use of hair dye, paint, face powder and eye shadow. Today, certain cultures still make cosmetics from natural substances, while Western make-up is manufactured mainly from synthetic materials.
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Mon Jun 5 13:48:02 2006
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